URBA as a shaman takes “real” form, with its own
determinant costume for the craft — whose cap, a recurring prop in Hip-Hop
culture — appears here with deer antlers (shamanic animal). And as such, it is
a magical object of empowerment of the sacred acting for the ritual.
This magical attribution to this object makes it thus
acquire a hybrid function and as Winnicot refers does not belong to any proper
space. It is in the sphere of the injunction a “transitory object”.